2010-12-31
100 Portraits - FlakPhoto.com
This has been featured lots of places lately. I've looked through the entire thing four or five times, and will probably go through it again. 100 portraits by 100 photographers, curated from the FlakPhoto.com archive. Definitely worth a look.
Seen at A Photo Editor.
2010-12-30
Fujica G690BL vs Foldex 20
I tried a lot of medium format cameras in the '90s.
I was getting some things out of storage recently and found another box of old prints and negatives, mostly medium format stuff. Some I can only guess which camera I was using, but I remember these two.
The first pic was shot on Fuji NPS 160
The Fuji G690BL was a pretty nice camera. It was rugged, it had a good rangefinder and a great lens. It made big, beautiful 6x9 negatives. But it was also huge and heavy. The 100mm f/3.5 lens was shockingly large for a standard lens. The whole kit weighed around 5 pounds. At about that same time I did some work with a Koni-Omega Rapid M, which is a beast in it's own right, and it seemed positively svelte next to the big Fuji. I didn't keep it very long.
The Foldex 20 was also a 6x9 camera, but was much more fun. It's a folding bellows camera, as the name implies, so it can slip into a large jacket pocket. You don't have to think about anything with the Foldex. It has an 86mm Octvar fixed-focus lens, and exactly two shutter speeds - 1/50 and bulb. However, the meniscus lens is nowhere near the same league as the Fujinon, the only exposure adjustment you really have is changing what ISO film you're using, and it has an odd shutter release. But it was well built and fast handling. I think it's also probably one of the very few cameras ever made that can shoot both 120 and 620 formats.
The second shot was made with the Foldex on T-Max 100
2010-12-29
Holgablog Interviews Michael Kenna
Another great little web gallery, I saw this a couple of weeks ago on Holgablog. They have a very short interview with Michael Kenna. They've also got several of his fantastic Holga shots.
Wire Photographer of the Year: Mauricio Lima
TIME Magazine has named AFP's Mauricio Lima Wire Photographer of the Year. They have a nice gallery of his work from Afghanistan. Really great stuff.
Seen at PDN Pulse.
Beginner dSLR and Mirrorless Recommendations
This is the second email, where I try to make some recommendations for more advanced cameras. The criteria here were mostly the same, just with one additional point.
- Ease of use
- Good image quality
- Macro capability
- Less than $600
- Shallow depth of field
Obviously, a few of these recommendations break the $600 mark, but it can be done. I think probably a Nikon D40x and a 35mm f/1.8G would be the best and most economical choice. And macro capability is just that - capability. You'd have to add another lens, or get diopters.
Here's the text of the second email.
You asked me the other day how to get a "3d effect" in your photos. That comes from having a shallow depth of field, as in the photo above.
Any camera can get that look when you're shooting macro, like the photo I linked earlier. But if you want to get that look at normal shooting distances you need a camera with a larger sensor and a fast lens. That means either a dSLR, or a "mirrorless" camera. Both types of cameras have interchangeable lenses, so you can get something fast. The speed of a lens refers to the aperture, and the smaller the number the faster it is. You'll want something f/2.8 or faster.
There are a lot of choices. Most of the manufacturers make something decent. Let's do the mirrorless cameras first. They're smaller than DSLRs, but won't quite fit in your pocket.
Panasonic GF1
Olympus E-PL1
And here are a couple of dSLRs.
Pentax K-x
Nikon D40
There are a lot more dSLRs to choose from, but these are the brands I'm familiar with.
Pocket Camera Recommendations
Over the holidays my sister-in-law and a friend asked me for new camera recommendations, and I answered them over the course of a couple of emails. I try to be as specific as possible when making gear recommendations to people that aren't gearheads. And they were specific with me as well, here's what they were looking for in a camera:
- Ease of use
- Good image quality
- Macro capability
- Less than $600
In addition, my sister-in-law wanted to know how to take portraits with separation between the subject and background, which I got into in the second email.
Here's the first email.
I put cameras in two categories; the kind that will fit in my pants pocket, and the kind that won't. Let's tackle the small ones first, they're easier.
If you want a pocketable camera with a single focal length (that means no zoom, but slightly higher optical quality) I think there's one best choice; the Ricoh GR Digital III
The GR Digital III
If you want a zoom lens there are a few more choices, here are three I like.
- Canon S90
or S95
. The S95 is slightly newer, but they're nearly identical. $400 - $500.
- Panasonic LX3
or LX5
. Again, the LX5 is slightly newer. $300 - $400.
- Ricoh GX200
. You can probably only find these used these days. They should go for about $250 on ebay.
Any of those would be great. Good places to buy new camera gear are B&H Photo and Adorama. Another great place that has both new and used gear is popflash.com.
2010-12-20
Ricoh GR Digital II Preliminary Review
My lovely wife gave me an early xmas gift, a lightly used Ricoh GR Digital II. I've only had it a few days, but so far it's great. I've had my eye on the Ricoh digitals for a while. I've wanted something decent that would still fit in the pocket of my jeans. I would've rather had the GR Digital III
I'm still getting used to it, and haven't quite finished looking at the rather thick owners manual. One thing I wasn't aware of from just reading online reviews, is how good the macro mode is. It's quite useful, even with the 40mm attachment, and likely the only time you'll ever see any bokeh from the lens. Shooting macro with live view on the LCD actually seems easier than using an SLR.
So far I've been shooting mostly in raw, and that's another nice thing about the Ricohs - they shoot raw in Adobe DNG format. The camera also saves a JPG even in raw mode, I'm not sure how to feel about that yet. The raw files seem fairly robust up to about 400 ISO, above that you've really got to watch your light. For example, I took some ISO 800 shots with auto white balance under tungsten light, and was unable to fully correct the yellow cast in Adobe Camera Raw. So far I usually keep the ISO set to Auto-Hi with a cap of 800. The write times aren't blazing fast, and there's only a 1 frame raw buffer, so I'll probably pick up a faster SD card soon. According the the Ricoh Forum, the card to get is a Panasonic 4GB SDHC
I've been shooting mostly in 3:2 crop format, just because I like it. It also saves a bit of room on the card at 9 megapixels instead of 10. The camera will also shoot in 1:1 square, and it's native 4:3.
It's also very quiet. Combined with it's small size and point-and-shoot demeanor that makes it a very discreet camera.
There will be some challenges getting comfortable with a camera like this versus something with an APS-C or larger sensor. For example the extremely long depth-of-field (which could also be a positive in some cases.) The camera has a 28mm equivalent lens, which is a little shorter than I'm used to. There's also the fact that the files can be a bit harsh, you can easily clip the highlights. Overall though, it seems to be capable of producing interesting images, and I don't think you can currently find anything much better that will fit in a pants pocket.
2010-12-02
A New Polaroid Film Camera?
Engadget has received an interesting teaser image from Polaroid about an announcement they'll be making at CES 2011 on January 6. There's not really any information, but Engadget overcooked the image enough to guess that there's a film slot on the bottom. Here's hoping.
Seen at Photo Rumors.
2010-11-30
Pat Sansone on the Polaroid SX-70
Pat Sansone with an awesome Polaroid SLR 680 SE (blue button), photo courtesy of The Impossible Project.
Pat Sansone, from one of my favorite bands - The Autumn Defense
It's a nice read. I'm about the same age as Mr. Sansone, so I understand what he means about being from an "in-between generation," technology-wise.
He also just closed an exhibition at The Impossible Project space for his recently published book, 100 Polaroids. Here's a nice set of pics from the opening party by Joshua J. Sarner.
Vampire Weekend Cover Photo Controversy Continues
I can't resist a Polaroid-related news story.
PDN Pulse is reporting that things are looking worse for Tod Brody, the photographer that licensed the above image to Vampire Weekend
The more important question to me is, SX-70
Polaroid Model 250 Reissue
This was in my Impossible Project spam a few days ago, and it looks like they're already sold out? The Limited Edition Polaroid 250. These are actually from LandCameras.com. They've been converted to rechargeable batteries and standard shoe-mount flash (included) by Cory Verellen.
Is it as cool as the Limited Edition Polaroid 185 from Polaroid Japan? No. But still pretty cool.
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